June 19, 2019

Theme: Seeing the inaudible, hearing the invisible
Date: July 23-27 2019
Where: Monash University, Melbourne

I will be presenting a paper on Hyperrealism in Electroacoustic Music with Stuart James. I will also be presenting a piece called returning home that deals with...

June 19, 2019

HYPER-LIMINAL

Time travel is a proposition that movement between points in time resembles movement between points in space. Temporal and spatial aspects of place are explored in a sound installation by composer, Ryan Burge and visual artist, Jenn Garland. The husband an...

June 19, 2019

Premiered at Spectrum Project Space, May 2019 with Linsday Vickery on Bass Clarinet, Stuart James on Piano and Ryan Burge on laptop.

https://ryanburge.bandcamp.com/album/various-works

(link to live recording with thanks to Josten Myburgh)

[text score]

Degrees of Separation...

May 3, 2019

Talking Place: Unfolding Conversations is a collaborative exhibition between Monika Lukowska, Annette Nykiel, Sarah Robinson, Jane Whelan and invited artists Ryan Burge and Tracy Hill, that explores the significance of wetlands with particular focus on Lake Walyungup—a...

May 1, 2019

A short film for SBS On Demand called Tribunal is due premiere at the end of 2019. I was able to post-sound mix and sound design.

https://www.screenwest.com.au/news-events/2019/04/sbs-screenwest-scripted-short-form-content-initiative-productions-announced/

January 27, 2019

Audible Edge 2019 features the psychoacoustic minimalism of France Jobin, the fragmented electro-acoustics of duo Plant (Jim Denley & Éric Normand), subtle drones from Berlin Echtzeitmusik duo Superimpose, the intimacy of Laura Altman’s extended clarinet, and the auste...

November 23, 2018

Exhibition @ PS Art Space in Fremantle.

In an ever increasing digital landscape of artificiality and simulation, can the use of technology paradoxically draw us closer to nature?

Taking inspiration from philosopher Jean Baudrillard's notion of 'hyperreal', a world wher...

June 21, 2018

This series of improvisations explores timbral unpredictability and responding to it as a performer. Using feedback as a foundation, compositions are built up using voice, mic, speaker, hand held guitar pickup attached to cable, metal bowl, accordion, battery operated...

June 21, 2018

I've been steadily producing electronic music under 2 alias that have different aesthetic foci.

I make minimal, halftime drum and bass under the name Theta. I released an EP on a record label called Black Crane which is based out of Poland.

The label commissioned a film...

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