Theme: Seeing the inaudible, hearing the invisible Date: July 23-27 2019 Where: Monash University, Melbourne I will be presenting a paper on Hyperrealism in Electroacoustic Music with Stuart James. I will also be presenting a piece called returning home that deals with some of the techniques I shall propose. Listen here returning home brings together disparate places captured in field recordings from various locations in Perth, Western Australia. Drawing from the contempora

HYPER-LIMINAL Time travel is a proposition that movement between points in time resembles movement between points in space. Temporal and spatial aspects of place are explored in a sound installation by composer, Ryan Burge and visual artist, Jenn Garland. The husband and wife duo present their site-responsive installation in the Shipwreck Museum’s Storehouse Gallery within the historic former Commissariat Building that was pivotal in the State’s early growth. The installation

Premiered at Spectrum Project Space, May 2019 with Linsday Vickery on Bass Clarinet, Stuart James on Piano and Ryan Burge on laptop. https://ryanburge.bandcamp.com/album/various-works (link to live recording with thanks to Josten Myburgh) [text score] Degrees of Separation by Ryan Burge [2019] For three performers (1) Bass Clarinet, (2) Piano with two contact mics, (3) laptop, stereo mic and loudspeakers. Instructions: The bass clarinet is amplified through a condenser mic. T